• ANU Africa Network

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    This website was established in 2013 by David Lucas, and renovated and relaunched in 2020 as part of a project to increase awareness of Africa and African studies in the ANU and the ACT, funded by the Australian Government’s Department of Foreign Affairs and Trade.

    Another outcome of that project was a major research report, published in August 2021, African Studies at the Australian National University and in the Australian Capital Territory, analyzing the past, present and future of the study of Africa at the Australian National University and the wider Australian University sector.

    The major innovation on this updated website is the creation of the ACT Africa Expert Directory which lists experts on Africa from institutions around the ACT, primarily the ANU. We will continue to curate this list, offering a key resource for media, government and non-government organizations seeking expert facts and opinions on Africa. Individuals can request to be added to the list by contacting the website managers.

    Another notable addition is the expanded directory of PhD theses on Africa produced in the territory’s universities, a solid measure of the vitality of the study of Africa in the city of Canberra.

    Reviewing these directories, it is revealing to note that the vast majority of research on Africa is produced by disciplinary experts (environmental scientists, economists, demographers, etc.) rather than area studies experts. This means that the study of Africa is woven into the fabric of the research culture of the ANU and the ACT’s other universities in ways that are not necessarily apparent.


  • RESOURCES: African Women; Somaliland

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    A free Book on African Women:

    From the press release:
    “In Her Words: African Women’s Perspectives on Gender Equality,” is a collection of essays that are equal parts thought provoking and witty from young women across the African continent and the diaspora.”
    “In collaboration with the publication team of Agbowó, this free anthology will be made available to the public on International Women’s Day – March 8th. In the meantime, please follow the journey across the social media channels.”
    https://agbowo.org/in-her-words/://agbowo.org/in-her-words/

    Somaliland

    In its May 2021 Blog Highlights the ANU’s Devpol  News has refers to a podcast on  Somaliland,  a country that does not officially exist. See

    https://memorandum-of-understanding.simplecast.com/episodes/mou-somaliland-state-ing-the-obvious?utm_source=Devpolicy&utm_campaign=f0be585288-Devpolicy%20News%20Dec%2015%202017_COPY_01&utm_medium=email&utm_term=0_082b498f84-f0be585288-250032321 

     

     


  • Tomorrow (20 May): Senegambian Rhythmic Traditions, Embodied Knowledge, and Adaptation

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    Senegambian Rhythmic Traditions, Embodied Knowledge, and Adaptation

    Lamine Sonko and King Marong

    Date & time: Thursday 20 May 2021, 3.30–5pm

    Location: Kingsland Room, Level 6, ANU School of Music

    In this research seminar, Lamine Sonko and King Marong will reflect on their longterm engagement with embodied knowledge of ancient rhythmic traditions in West Africa, as well as current research exploring the adaptation of traditional music, dance, and theatre in contemporary Australia. The seminar will include a discussion and live music demonstration.

    Lamine Sonko is a composer, director and multi-instrumentalist, originally from Senegal and living in Australia since 2004. In his artistic practice he draws on traditional wisdom to create inter-disciplinary & multi-sensory arts experiences inspired by his cultural background as a Gewel (hereditary cultural role). His role as a Gewel is to be a keeper and communicator of history, customs, rituals and sacred knowledge through music, dance and oral storytelling. Through his work he has defined new ways to present and re-imagine the traditional African, contemporary and classical synthesis of music and theatre. As a composer he has arranged and recorded award-winning music including two compositions for Grammy Award-winning album ‘Winds of Samsara’ (2015). He has composed and directed large scale works including the Boite Millennium Chorus ‘One Africa’ (Arts Centre Melbourne) and has presented and performed throughout Australia and internationally.

    Born in The Gambia, King Marong has been performing professionally since the age of 12. King developed his skills in the coastal fishing village where he grew up surrounded by the griots (hereditary musicians) and international musicians who were his mentors for Senegambian drumming and cultural priorities. In his late teens he formed his band Kunta Kinteh and consequently toured The Gambia, Senegal, UK and Europe. King has since built an international reputation as a master of many African drumming styles on instruments such as the Djembe, Boucarabou, Doundoun and Sabar, performing and teaching percussion to students from around the world.

     


  • Performance in the Studio – West African Percussion

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    ANU School of Music
    Wed 19 May, 6–7.30pm

    Join Gambian master percussionist, King Marong, Senegalese multi-instrumentalist, Lamine Sonko, music technology convenor Professor Samantha Bennett, and musicology convenor Dr Bonnie McConnell in ANU’s world class recording studio for a special performance/recording exploring Gambian and Senegalese culture.

    Please note places are strictly limited to 25.

    Click for details and registration.