Senegambian Rhythmic Traditions, Embodied Knowledge, and Adaptation
Lamine Sonko and King Marong
Date & time: Thursday 20 May 2021, 3.30–5pm
Location: Kingsland Room, Level 6, ANU School of Music
In this research seminar, Lamine Sonko and King Marong will reflect on their longterm engagement with embodied knowledge of ancient rhythmic traditions in West Africa, as well as current research exploring the adaptation of traditional music, dance, and theatre in contemporary Australia. The seminar will include a discussion and live music demonstration.
Lamine Sonko is a composer, director and multi-instrumentalist, originally from Senegal and living in Australia since 2004. In his artistic practice he draws on traditional wisdom to create inter-disciplinary & multi-sensory arts experiences inspired by his cultural background as a Gewel (hereditary cultural role). His role as a Gewel is to be a keeper and communicator of history, customs, rituals and sacred knowledge through music, dance and oral storytelling. Through his work he has defined new ways to present and re-imagine the traditional African, contemporary and classical synthesis of music and theatre. As a composer he has arranged and recorded award-winning music including two compositions for Grammy Award-winning album ‘Winds of Samsara’ (2015). He has composed and directed large scale works including the Boite Millennium Chorus ‘One Africa’ (Arts Centre Melbourne) and has presented and performed throughout Australia and internationally.
Born in The Gambia, King Marong has been performing professionally since the age of 12. King developed his skills in the coastal fishing village where he grew up surrounded by the griots (hereditary musicians) and international musicians who were his mentors for Senegambian drumming and cultural priorities. In his late teens he formed his band Kunta Kinteh and consequently toured The Gambia, Senegal, UK and Europe. King has since built an international reputation as a master of many African drumming styles on instruments such as the Djembe, Boucarabou, Doundoun and Sabar, performing and teaching percussion to students from around the world.
Australian Centre on China in the World
Thursday, 22 April 2021, 4.00pm – 5.30pm
Online and in person, China in the World seminar rooms (Building 188), Fellows Lane, ANU
Details and link to registration here.
Abstract The rolling out of China’s Belt and Road Initiative and overseas projects provides a window to examine the intercultural dynamics between Chinese expats and local communities. Ethiopia, an East African country, has become a strategic partner of China and hosts a growing population of Chinese developers, business people and workers. In this contact zone, assumptions and misassumptions, tentative adjustments, and reevaluation of Chinese and local communities’ relations are abundant to the extent that any culturalist explanation is insufficient to grapple with the Chinese’s evolving ethical experience. This study shows how the Chinese and Ethiopians relate to one another ethically in different contexts and why the boundary between them becomes explicit or less so.
Bio Dr Liang Chen’s research interests involve migration, urbanisation, and intercultural encounters in China and Africa. He has been studying the trans-continental business network of African expatriates in China, the Chinese working in Ethiopia, and Afar pastoralists’ urbanisation in Ethiopia and Djibouti since 2016. He is currently visiting the School of Culture, History, and Language of ANU.
Date and time: Friday 19 Mar 2021, 5.30–6.45pm
Dr Ibrahim Abraham explores this controversial masterpiece of post-apartheid South Africa at the turn of the twenty-first century. Disgrace is the novel that not only earned Coetzee (another) Booker Prize but guaranteed him the Nobel Prize awarded in 2003.
Wed., 4 March 2020, 9:00am–4:30pm
Fenner Seminar Room, Fenner Building (#141), ANU
This symposium style event will examine the ANU’s research work in Africa, and facilitate interdisciplinary discussion and collaboration.
A lunch will be provided, allowing for networking and informal discussion. More details. Register here
Award winning author, Maxine Beneba Clarke (editor of Growing Up African in Australia), will be in conversation with feminist author and editor, Zoya Patel, about her leadership journey as an Australian born black writer of Afro-Caribbean descent, creating space for other African diaspora voices, and empowering those who’ve been historically sidelined in Australian literature to tell their stories.
Maxine Beneba Clarke is the ABIA and Indie award-winning author of the memoir The Hate Race, the short fiction collection Foreign Soil, the poetry collection Carrying The World, and several critically acclaimed children’s books, including the Boston Globe / Horn Prize award winning The Patchwork Bike, and the recently released Fashionista. She is the editor of Growing Up African in Australia, and Best Australian Stories 2017. Maxine is The Saturday Paper’s Poet Laureate.
Zoya Patel is the author of No Country Woman, a memoir of race, religion and feminism, published by Hachette Australia.
She Leads In-Conversation events aim to provide the community with the opportunity to hear from women leaders from different backgrounds and industries, in a conversational format, followed by a live Q&A session, book signing and networking. Men are actively welcomed to attend.
The In-Conversation with Maxine Beneba Clarke will be at the Ann Harding Conference Centre, University of Canberra on Friday 20 September 2019 from 6:15–8:15 pm.
More details and ticket information here.
Date and time: Friday 23 August, 3–5pm
Speaker: Paul Hayes (PhD Candidate in Anthropology, ANU)
Location: Milgate Room, Level 2, A.D. Hope Building (#14), ANU
This post-fieldwork seminar examines the bodily practices and related material culture of young men in Khartoum, Sudan, who practice ‘Nuba wrestling’, a combat sport indigenous to Sudan. Based on 12 months of collaborative photography and first-hand sporting apprenticeship with wrestlers, I attempt to understand the magnetism of the sport through its concrete corporeal practices and material relations. I analyse the wrestlers’ material and bodily repertoires, not only for what they might mean as symbolic rituals or communicative signs, but also for what they do to the wrestler-subject. Through a microphysics of becoming a wrestler, I show how the doing of ‘corporeal-matter-in-motion’ leads to the creation of a specific being: an uneasy subject, caught between Sudan’s nascent pan-ethnic neoliberal modernity, and the racist vestiges of the Sudanese Islamist state.